The mute vacuum cleaner mechanic Jacques Ramirez wants nothing more than to do his job in peace. And he does it very well. For this, he is named employee of the year after years at his company Robotop, shortly before the building blows up along with his boss and the journalists gathered there.
Ramirez has been caught up in his dark family history, which he never wanted to have anything to do with and had taken a completely different path. But a Mexican drug cartel, a cold-blooded killer and the two Thelma & Louise characters Chelsea Tyler and Dakota Smith cross his path and leave a bloody trail. But Jacques Ramirez’s past is not quite so blameless either, and the story complicates.
If you appreciate The New Yorker or The Chicagoan as magazine lovers of the jazz age for their excellent reporting and artistic covers, you will enjoy the two-volume Gentlemind comic album series.
The story is set in the 1940s, where showgirl Gina Navit serves as muse and love interest to aspiring illustrator Arch Parker. Plagued by money troubles, Arch decides to go to Europe to cover the war. Gina, who can’t save herself from admirers, breaks heart and marries wealthy entertainment magnate Powell. When he dies, Gina inherits his estate, including a moribund men’s magazine, which she turns into a success by successfully altering its reports and graphics.
Holding up a mirror image to society is a recurring motif in literary history. What reached a high point in the Middle Ages with Dante’s Divine Comedy continued all the way to Honoré de Balzac, who drew a picture of the mores of high French society around 1830 with his Mad Tales.
Twin brothers Paul and Gaëtan Brizzi, born in Italy, raised in Paris, only to emigrate to Hollywood in 1994 to work for Disney Studio, Pixar and Sony, now took on three of Balzac’s stories in a very lighthearted comic album. Kept in monochrome, they lead the reader:inside in an entertaining way and a brisk drawing style through the world of the 1830s and skillfully take in their drawings the society, the church and morality on the shovel.
Who hasn’t? You rummage in a bookstore, and a work catches your eye that appeals to you and whose creator is unknown to you. Igort – short for Igor Tuver – an Italian comic artist born in Sardinia, was responsible for Japanese Notebooks: A Journey to the Empire of Signs. In it, the artist documented his years in Tokyo, where he has been drawing very popular mangas for various publishers since the 1990s.
And Igort’s style is versatile, as you can see in his Japanese notebooks. Half comic, half narrative, he guides us through his personal experience with his longer and shorter stays in Japan, and introduces us to Japanese history, stories and special features. He changes his drawing styles to match the respective narrative level.
For some time now, the French publishing house Glénat has been publishing a new series of Donald Duck and Mickey Mouse comic albums that stand out in their quality. After wonderfully drawn volumes like Horrifikland or Mickey and the Lost Ocean, Duckenstein (English: Disney’s Frankenstein) is now coming out.
As can be seen from the title and cover picture, it is an adaptation of Mary Shelley’s Frankenstein. The story of fictional author Mary Shelduck follows Shelley’s plot very closely, with slight adaptations that make it less gloomy and lighter for a younger readership. Of course, all the well-known characters appear, such as Uncle Scrooge, Gladstone Gander, Daisy Duck, and the Donald Ducks nephews Huey, Dewey, and Louie. Donald Duck himself Victor von Duckenstein. The plot itself is set partly in Ingolstadt and partly all over the world.
A young girl with a rare gift makes one cut after the other to a priest to bleed him as painfully as possible. This is the introduction to a story by the bustling French scenarist Christophe Arleston and skilfully staged by Adrien Floch.
What begins with amazing brutality at the hands of the young Sangre has a history that goes back years. Her parents, who were wine merchants, were massacred by the Dark Skimmers, along with their caravan, in the fantastic world. The Skimmers use flying dragon creatures to attack their victims, slaughter them with magic and traditional weapons, and steal their belongings.
To impregnate the concubine of the father, to be banned from the court, a lot of beautiful women and larded with poetry. That sounded a thousand years ago as an excellent ingredient for a captivating material, and a thousand years later it still is.
I am talking about The Tale of Genji, the first novel ever about a fictitious prince, which was invented at the Japanese imperial court around the year 1000 by the lady-in-waiting Murasaki Shikibu (ca. 978-1014).
London in the 19th century must have been a cesspool of sin, where murderers and manslayers and other dark criminals must have met. At least that’s what the crime literature of the time tries telling us.
But luckily, the city of London accommodates the impersonation of the bad boys’ nightmare, and this is well known to us. Sherlock Holmes with his sharp logic and his somewhat simple-minded sidekick Watson – a doctor, no less – put a stop to the scoundrels in many stories.
No wonder that more than 130 years after the first appearance of this duo, penned by Sir Arthur Conan Doyle, the stories are still fascinating audiences worldwide and produce new interpretations. The comic album In Sherlock Holmes’ Mind (original title: Dans la tête de Sherlock Holmes) introduces the reader to the character in a different way. We can literally see the thought processes of Holmes in his head and how he analyzes and solves the Case of the scandalous ticket on the basis of the evidence.
The Orient and Dark Russia come together in this delightful comic album about the aging carpet dealer Fedor, who travels through the vastness of a country that modern times have not stopped at. The modern age has moved into homes in the form of parquet and wooden floors – a development that is slowly making carpets that protect against the cold of stone or clay floors obsolete.
But Fedor is even more worried: he feels his age and is worried that he has no successor for his profession. Then young Danil runs in front of his sleigh while fleeing from the henchmen of the boyarNazar Alymoff. Because he has killed the ruler’s favorite greyhound, the death penalty is awaiting him. Fedor reacts instinctively, prepares a flying carpet and escapes with Danil – leaving his other carpets behind.